Friday, June 6, 2025

Les musiciens de la forêt

 


GABON / LES MUSICIENS DE LA FORÊT VOL. 1

THE MUSICIANS OF THE FOREST 

Ocora, 1981,  558569

 Ocora had several series including this one entitled ''living traditional music''; and in this series there were several categories here the first one entitled ''music from the oral tradition''. 

Gabon is a small country  with less than 2,5 million people in 2023 (9 inhabitants per square kilometre). But as it is often the case in Africa the population is quite diversified with mostly bantu groups like the Fang, the Punu-Echira, the Vili or the Myene; the only other non-bantu people are the Pygmies who settled there before the Bantu.
This album is the work of Catherine Oneto and Hugues Poitevin, two people who fell in love with the locals. They recorded some ritual music sung and played with the eight-string harp ngombi by Nzé Menvié (seen on the cover) a Fang farmer, sculptor and crafstman in his sixties at the time of the recordings. So this ritual music was not performed during a religious ceremony. Part of this repertoire belongs to what is called bwiti that the Fang have adopted from the Tsogo at teh beginning of the twentieth century only. But the aim of Oneto and Poitevin was to help Menvié and the villagers in agricultural and cultural terms. For that they created an association which is helped by the Gabonese government. 
This is not a an ethnomusicology record so the notes are brief.
These recordings were made in 1979 in mono but published in stereo.
Text in French only. I don't think that this volume 1 was followed by a second one. 

 


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Tuesday, May 27, 2025

La vina de Balachander




 LA VINA DE S. BALACHANDER

 Prestige  de la musique extra-européenne l'Inde vol. 6

 Disques Espérance, 1978, ESP 165 510

This album was recorded with the help of the Association Française des Amis de l'Orient. This association used to organize lots of concerts during the seventies and the eighties in Paris at the Musée Guimet. Indian artists were the most numerous and some of them started their European career there.
That was not the case for Balachander who was born in 1927 and gave his first concert in 1943. He's a master of the South Indian vina or veena but he started music on the  kanjeera and tabla, then the sitar before discovering the vina.
He plays the raga mayamalavagaula (15th melakarta in the Carnatic system) corresponding to the Hindustani raag bhairavi.
Side B is dedicated to the kriti ''meru samaana'' composed by Tyagaraja in the same raga.
 R. Krishnamurthy joins Balachander on this kriti set to the tala adi.

Text in French only.

 

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IBRAHIM AL-MĀS

  IBRAHIM AL-MĀS    Ibrahim Al-M ās (sometimes spelled ''al-Mass'') was another major singer and 'ud player. Son of Muha...